Soon the dub infested beat merges with the Syrian orchestral intro forming a peace between genres of many different kinds. Make peace with it, "White flag? white flag". However, once the two realize they have no escape they decide to remain calm and just go with the flow. But soon, Bashy bumps into his rapper friend Kano ("and up the road, you'll never guess who I saw"), and Kano thinks he just woke up after a wild night on the beach ("just found it Nemo", "VIP", "hi little day, sex on the beach, wanna try for a baby?"). Bashy is mainly confused ("I ain't lost and this ain't shipwrecked") and is in horror of all the garbage the island is made out of ("This ain't Atlantis, are you sure? I nearly suffocated when I touched the shore." "I don't wanna be left sleeping from all the diseases I am breathing"). So in "White Flag", Bashy and Kano rap about their first reactions to waking up on the strange colorful island located in the middle of nowhere known as Plastic Beach. In order to explain the amount of mainly guest anchored songs from the "Carousel" sessions that would appear on the third Gorillaz record, Jamie Hewlett came up with the concept of having the band's fictional bassist Murdoc Niccals send his cyborg duplicate of guitarist Noodle out to kidnap artists, so they could appear on the new Gorillaz record. But despite being sick, the duo deliver an awesome performance that ties into one go the album's ideas. The two of them had never done something like this before, and on top of that, both Bashy and Kano had just caught a whiff of a nasty flu that was going around. Bashy and Kano felt uncomfortable about rapping on this track because of how complex and experimental the beat was.
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